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The Return by Nicholas Sparks

The Return Summary

The Return book: is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

Trevor Benson never intended to move back to New Bern, North Carolina. But when a mortar blast outside the hospital where he worked sent him home from Afghanistan with devastating injuries, the dilapidated cabin he'd inherited from his grandfather seemed as good a place to regroup as any.

Tending to his grandfather's beloved beehives, Trevor isn't prepared to fall in love with a local . . . yet, from their very first encounter, Trevor feels a connection with deputy sheriff Natalie Masterson that he can't ignore. But even as she seems to reciprocate his feelings, she remains frustratingly distant, making Trevor wonder what she's hiding.

Further complicating his stay in New Bern is the presence of a sullen teenage girl, Callie, who lives in the trailer park down the road. Trevor hopes Callie can shed light on the mysterious circumstances of his grandfather's death, but she offers few clues—until a crisis triggers a race to uncover the true nature of Callie's past, one more intertwined with the elderly man's passing than Trevor could ever have imagined.

In his quest to unravel Natalie and Callie's secrets, Trevor will learn the true meaning of love and forgiveness . . . and that in life, to move forward, we must often return to the place where it all began.

About the Author

With over 100 million copies of his books sold, Nicholas Sparks is one of the world's most beloved storytellers. His novels include sixteen #1 New York Times bestsellers, and all of his books, including Three Weeks with My Brother, the memoir he wrote with his brother, Micah, have been New York Times and international bestsellers and were translated into more than fifty languages.

Eleven of Nicholas Sparks's novels—The Choice, The Longest Ride, The Best of Me, Safe Haven, The Lucky One, The Last Song, Dear John, Nights in Rodanthe, The Notebook, A Walk to Remember, and Message in a Bottle—have been adapted into major motion pictures.

The Return Introduction

Excerpt. © Reprinted by permission. All rights reserved.


I first noticed the girl walking past my house the day after I’d moved in. Over the next month and a half, I saw her shuffle by a few times a week, head down and shoulders hunched. For a long time, neither of us said a word to each other.

I suspected she was in her teens—something about the way she carried herself suggested she was struggling beneath the twin burdens of low self-esteem and irritation at the world—but at thirty-two I’d reached the age where it was almost impossible for me to tell. Aside from noting her long brown hair and wide-set eyes, the only thing I knew for sure about her was that she lived in the trailer park up the road and that she liked to walk. Or more likely, she had to walk, because she didn’t own a car.

The April skies were clear, the temperature hovering in the low seventies, with just enough breeze to carry the perfumed aroma of flowers. The dogwoods and azaleas in the yard had roared into bloom almost overnight, framing the gravel road that wound past my grandfather’s house just outside New Bern, North Carolina, a place I’d recently inherited.

And I, Trevor Benson, convalescing physician and disabled veteran by profession, was shaking mothballs from a box along the base of the front porch, lamenting that it wasn’t how I’d planned to spend my morning. The problem with doing chores around the house was never knowing quite when you might be finished since there was always something else that needed to be done…or whether fixing up the old place was even worthwhile at all.

The house—and I used the term loosely—wasn’t much by way of appearance and the years had taken their toll. My grandfather built it himself after returning from World War II, and though he could build things to last, he didn’t have a lot of talent when it came to designing. The house was a rectangle with porches on the front and back—two bedrooms, kitchen, family room, and two bathrooms; the cedar siding had faded to a grayish silver over the years, mimicking my grandfather’s hair.

The roof had been patched, air seeped through the windows, and the kitchen floor slanted to the point that if liquid spilled, it became a tiny river that flowed to the door that led to the back porch. I like to think it made cleaning up easier for my grandfather, who’d lived by himself the last thirty years of his life.

The property, however, was special. It was a shade over six acres, with an aging, slightly tilting barn and honey shed—where my grandfather harvested his honey—and dotted with seemingly every flowering plant known to mankind, including clover patches and wildflowers. From now until the end of summer, the property would resemble a ground-level fireworks display. It was also situated on Brices Creek, where dark, brackish water flowed so slowly that it often reflected the sky like a mirror. Sunsets turned the creek into a cacophony of burgundy and red and orange and yellow, while the slowly fading rays pierced the curtain of Spanish moss-draped over the tree branches.

The honey bees loved the place, which had been my grandfather’s intent since I’m pretty sure he loved bees more than people. There were about twenty beehives on the property; he’d been a part-time apiarist all his life, and it often struck me that the hives were in better condition than either the house or the barn. I’d checked on the hives a few times from a distance since my arrival here, and though it was still early in the season, I could tell the colonies were healthy.

The bee population was growing rapidly, as it always did in spring—I could actually hear them buzzing if I listened—and I’d left them to their own devices. Instead, I’d spent most of my time rendering the house livable again. I cleaned out the cupboards, setting aside a few jars of honey to keep, and tossing the remainder—a box of stale crackers, nearly empty jars of peanut butter and jelly, and a bag of dried-out apples. The drawers were crammed with junk—out-of-date coupons, half-used candles, magnets, and pens that didn’t work, all of which went into the garbage.

The refrigerator was mostly empty and oddly clean, without any of the moldy items or disgusting smells I’d expected. I purged a ton of junk from the house—most of the furniture was half a century old, and my grandfather had a minor hoarding issue—and then hired various crews to do the more difficult work. I had had a contractor do a cosmetic remodel on one of the bathrooms; a plumber fixed the leak in the kitchen faucet; I had the floors sanded and stained, the interior painted; and last but not least, I had the back door replaced.

It was cracked near the jamb and had been boarded over. Then, after bringing in a crew to clean the place from top to bottom, I got my laptop set up with Wi-Fi and picked up some furniture for the living room and bedroom, as well as a new television for the family room. The original television had rabbit ears antennae and was the size of a treasure chest. Goodwill declined the donation of my grandfather’s used furniture, despite my argument that it could all be regarded as antiques, so it ended up at the dump.

The porches were in relatively good shape, though, and I spent most of my mornings and evenings there. Which is how and why I’d started with the mothballs. Spring in the South isn’t only about flowers and honey bees and pretty sunsets, especially when you live adjacent to a creek in what seemed like the wilderness. Because it had been warmer than usual recently, snakes had begun to wake from their winter slumber. I’d spotted a big one on the back porch when I’d wandered outside that morning with my coffee. After having the bejesus scared out of me and spilling half the coffee down the front of my shirt, I quickly ducked back inside the house.

I had no idea whether the snake was poisonous or what kind it was. I’m not a snake expert. But unlike some people—my grandfather, for instance—I didn’t want to kill it, either. I just wanted it to stay away from my house and live over there. I knew that snakes did useful things—like killing mice, which I’d heard scurrying in the walls at night. The sound creeped me out; despite spending every summer here when I was a kid, I’m not used to country living.

I’d always considered myself more of a condo-in-the-city guy, which is what I had been, right up until the explosion that blew up not only my entire world but for me as well. Which was why I was convalescing in the first place, but more on that later.

For now, though, let’s get back to the snake. After changing shirts, I vaguely remembered that my grandfather used mothballs to keep snakes away. He was convinced that mothballs had magic powers to repel all kinds of things—bats, mice, bugs, and snakes—and he would buy the stuff by the case. I’d spotted plenty of them in the barn, and figuring my grandfather must have known something, I seized a box and began to scatter them liberally around the house, first in the back and along the sides, then finally in the front.

That was when I again spied the girl trudging down the road that led past the house. She was dressed in jeans and a T-shirt, and when I lifted my gaze, she must have felt my eyes on her because she glanced in my direction. She didn’t smile or wave; instead, she ducked her head as if hoping to avoid acknowledging my presence.

I shrugged and went back to work if dropping mothballs could actually be considered work. For whatever reason, though, I found myself thinking about the trailer park where she lived. It was at the end of the road, about a mile away. Out of curiosity, I’d walked down there shortly after I’d arrived. It had sprung up since the last time I’d visited, and I suppose I wanted to know who the new neighbors were.

My first thought upon seeing it was that it made my grandfather’s place look like the Taj Mahal. Six or seven ancient and decrepit trailers appeared to have been dropped haphazardly on a dirt lot; in the far corner where the remains of another trailer that had caught fire, leaving only a black, partially melted husk that had never been cleared away.

In between the trailers, clotheslines drooped between slanting poles. Scrawny chickens pecked an obstacle course of cars on blocks and rusting appliances, avoiding only a feral pit bull chained to an old discarded bumper. The dog had teeth the size of bacon and barked so ferociously at my presence that spittle flew from its foaming mouth.

Not a nice doggy, I remembered thinking. Part of me wondered why anyone would choose to live in a place like this, but then again, I already knew the answer. On my walk back home, I felt pity for the tenants and then chastised myself for being a snob because I knew I’d been luckier than most, at least when it came to money.

“Do you live here?” I heard a voice ask.

Glancing up, I saw the girl. She’d doubled back and was standing a few yards away, clearly keeping her distance, but close enough for me to notice a spray of light freckles on cheeks that were so pale as to seem almost translucent. On her arms, I noted a couple of bruises like she’d bumped into something. She wasn’t particularly pretty and there was something unfinished about her, which made me think again that she was a teenager. Her wary gaze suggested that she was prepared to run if I made the smallest move toward her.

“I do now,” I said, offering a smile. “But I don’t know how long I’ll be staying.”

“The old man died. The one who used to live here. His name was Carl.”

“I know. He was my grandfather.”

“Oh.” She slipped a hand into her back pocket. “He gave me honey.”

“That sounds like something he’d do.” I wasn’t sure if that was true, but it struck me as the right thing to say.

“He used to eat at the Trading Post,” she said. “He was always nice.”

Slow Jim’s Trading Post was one of those ramshackle stores so ubiquitous in the South and had been around longer than I’d been alive. My grandfather used to bring me there whenever I visited. It was the size of a three-car garage with a covered porch out front, and it sold everything from gas to milk and eggs, to fishing equipment, live bait, and auto parts. There were old-fashioned gas pumps out front—no credit or debit accepted—and a grill that served hot food.

Once, I remember finding a bag of plastic toy soldiers wedged between a bag of marshmallows and a box of fishing hooks. There was little rhyme or reason to the offerings on the shelves or displayed on the walls, but I always thought it was one of the coolest stores ever.

“Do you work there?”

She nodded before pointing at the box in my hand. “Why are you putting mothballs around the house?”

I stared at the box in my hand, realizing that I’d forgotten I was holding it.

“There was a snake on my porch this morning. I’ve heard that mothballs will keep them away.”

She pursed her lips before taking a step backward. “Okay, then. I just wanted to know if you were living here now.”

“I’m Trevor Benson, by the way.”

At the sound of my name, she stared at me. Working up the courage to ask the obvious.

“What happened to your face?”

I knew she was referring to the thin scar that ran from my hairline to my jaw, which reinforced the impression of her youth. Adults usually wouldn’t bring it up. Instead, they’d pretend they hadn’t noticed. “Mortar round in Afghanistan. A few years back.”

“Oh.” She rubbed her nose with the back of her hand. “Did it hurt?”


“Oh,” she said again. “I guess I’ll get going now.”

“All right,” I said.

She started back toward the road before suddenly turning around again. “It won’t work,” she called out.

“What won’t work?”

“The mothballs. Snakes don’t give a lick about mothballs.”

“You know that for sure?”

“Everyone knows it.”

Tell that to my grandfather, I thought. “Then what should I do? If I don’t want snakes on my porch?”

She seemed to consider her answer. “Maybe you should live in a place where there aren’t any snakes.”

I laughed. She was an odd one, for sure, but I realized that it was the first time I’d laughed since I’d moved here, maybe my first laugh in months.

“Nice meeting you.”

I watched her go, surprised when she slowly pirouetted. “I’m Callie,” she called out.

“Nice to meet you, Callie.”

When she finally vanished from view, blocked by the azaleas, I debated whether to continue putting out mothballs. I had no idea whether she was right or wrong, but in the end, I chose to call it a day. I was in the mood for some lemonade and wanted to sit on the back porch and relax, if only because my psychiatrist recommended that I take time to relax while I still had time.

He said it would help me keep The Darkness away.

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The Return by Nicholas Sparks

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Product details:

EditionInternational Edition
ISBN1538728583, 978-1538728581
Posted onAugust 10, 2021
Page Count400 pages
AuthorNicholas Sparks

The Return By Nicholas Sparks PDF Free Download - HUB PDF

The Return book: is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.


Author: Nicholas Sparks

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